Perfect Oscar nominations: 2026
Plus who should win and who doesn't belong
A few times a year, Bangers & Jams switches from a food blog to a movie blog. That’s certainly the case during Oscar season.
I love the Oscars. There’s not nearly as much to vigorously debate around dinner tables in Los Angeles compared to New York, but at least we have the spectacle of cinema combined with the vanity of awards.
I maintain that 2025 was a very good year at the movies. I can go 15 deep with films I loved, adding in another 15 I at least admired. The awards race this year features a heavy favorite (One Battle After Another), a few fun villains (Hamnet, Wicked: For Good, Frankenstein) and some very real debates. Like last year, I’ve compiled my list of what I think should be nominated for the major categories ahead of the official Jan. 22 announcement. The choices are ranked in order of how upset I’ll be if they don’t make the cut. I’ve also included my pick for winners as well as one seeming lock that I don’t think belongs.
This is much more of a leaning toward “best” rather than “favorite” — a requirement for the sake of awards recognition. January is a perfect time to hole up at home and catch up on movies. If you’re behind, use this as a guide for where to start.
Best Picture
Winner: Marty Supreme
One Battle After Another
The Secret Agent
Sentimental Value
If I Had Legs I’d Kick You
It Was Just An Accident
Train Dreams
Sinners
The Testament Of Ann Lee
No Other Choice
Doesn’t belong: Frankenstein
Wicked: For Good and Avatar are probably also getting in, but Frankenstein is the real shit-stirrer here — a pandering kids movie that happens to be filled with gratuitous gun violence. There was better dialogue in Regretting You.
Best Director
Winner: Paul Thomas Anderson | One Battle After Another
Mary Bronstein | If I Had Legs I’d Kick You
Josh Safdie | Marty Supreme
Ryan Coogler | Sinners
Jafar Panahi | It Was Just An Accident
Doesn’t belong: Chloé Zhao | Hamnet
The toughest list of five to make. But, yeah, give PTA his trophy.
Wesley Morris equated Hamnet to watching an acting class — not a masterclass in acting, but literally a training session with people learning how to act. No criticism has been more apt. In a movie that plays like it was designed to make parents cry and win awards, the faults fall primarily on the director.
Best Actress
Winner: Rose Byrne | If I Had Legs I’d Kick You
Amanda Seyfried | The Testament Of Ann Lee
Renate Reinsve | Sentimental Value
Emma Stone | Bugonia
Jessie Buckley | Hamnet
Doesn’t belong: Cynthia Erivo | Wicked
An absolutely stacked category that Buckley has wrapped up. That’s fine. Her performance in the final 25 minutes is legitimately great. But if Byrne and Seyfried don’t get nominated, no snubs will make me more annoyed.
Best Actor
Winner: Timothée Chalamet | Marty Supreme
Wagner Moura | The Secret Agent
Michael B. Jordan | Sinners
Ethan Hawke | Blue Moon
Leonardo DiCaprio | One Battle After Another
Doesn’t belong: Joel Edgerton | Train Dreams
The growing consensus around this projected top five is also the right top five, incredibly. Edgerton is a perfectly played piece in Bentley’s beautiful film. The Train Dreams momentum is so encouraging to see, but I hope it doesn’t knock out Hawke’s special turn as Lorenz Hart.
Best Supporting Actress
Winner: Inga Ibsdotter Lilleaas | Sentimental Value
Teyana Taylor | One Battle After Another
Odessa A’zion | Marty Supreme
Mariam Afshari | It Was Just An Accident
Wunmi Mosaku | Sinners
Doesn’t belong: Amy Madigan | Weapons
Lilleaas slow burns for 90 minutes before shattering your heart in concurrent scenes. She’s the real muse for Trier in this film, the simmering heart of his broken family portrayal.
Weapons is a good movie. Zach Cregger is a great director. But I’ve yet to see or hear a convincing argument that Madigan’s performance was anything beyond replacement level.
Best Supporting Actor
Winner: Stellan Skarsgård | Sentimental Value
Sean Penn | One Battle After Another
Alexander Skarsgård | Pillion
Benicio del Toro | One Battle After Another
William H. Macy | Train Dreams
Doesn’t belong: Paul Mescal | Hamnet
I will ignore the pure category fraud for what is undeniably a lead performance from Stellan Skarsgård.
Best Adapted Screenplay
Winner: Ira Sachs | Peter Hujar’s Day
Paul Thomas Anderson | One Battle After Another
Harry Lighton | Pillion
Clint Bentley & Greg Kwedar | Train Dreams
Park Chan-wook, Lee Kyoung-mi & Jahyee Lee | No Other Choice
Doesn’t belong: Will Tracy | Bugonia
Few movies sparked more ideas or conversations for me than Sachs’ faithful adaptation of a real recorded conversation between the photographer Peter Hujar and the writer Linda Rosenkrantz. You watch the filmed version and are rattled by everything that’s not there — phones, concrete plans, social-media-induced artistic anxiety.
Best Original Screenplay
Winner: Joachim Trier & Eskil Vogt | Sentimental Value
Jafar Panahi | It Was Just An Accident
Mary Bronstein | If I Had Legs I’d Kick You
Robert Kaplow | Blue Moon
Ari Aster | Eddington
Doesn’t belong: Noah Baumbach & Emily Mortimer | Jay Kelly
Whatever is going on with Noah’s writing since he became happily married is really bumming me out.
Best International Feature
Winner: The Secret Agent
It Was Just An Accident
Sentimental Value
No Other Choice
Sirāt
The other major contender here is The Voice of Hind Rajab, a powerful story that tears you apart over and over again. It might break through for its strong mission, ambition and message. I just don’t think it really works as a movie.
Best Casting
Winner: Nadia Acimi, Luis Bertolo & Erika Boulic | Sirāt
Jennifer Venditti | Marty Supreme
Gabriel Domingues | The Secret Agent
Jafar Panahi | It Was Just An Accident
Cassandra Kulukundis | One Battle After Another
The non-actor ravers are the best part of Sirāt, the only truly shocking movie I saw in 2025.
Best Cinematography
Winner: Adolpho Veloso | Train Dreams
Christopher Blauvelt | The Mastermind
Michael Bauman | One Battle After Another
Autumn Durald Arkapaw | Sinners
Kim Woo-hyung | No Other Choice
Of all the movies on this list, Train Dreams is the one I’d implore you to try to see on a big screen. The 35mm print took my breath away. The cinematography is the true star and why it deserves this win.
Best Original Score
Winner: Daniel Lopatin | Marty Supreme
Jonny Greenwood | One Battle After Another
Kangding Ray | Sirāt
Ludwig Göransson | Sinners
Bryce Dessner | Train Dreams
The most heavyweight two-person race in the field comes down to Lopatin vs. Greenwood. It’s close, but Lopatin deserves it.




Fascinating how the performance anxiety around award season transforms film discourse into such a high-stakes game. The observation about Hamnet playing like an acting class rather than acting is brutal but dunno if I've heard a more accurate critique this cycle. Would love to see Byrne and Seyfried break through the Wicked momentum, though that whole categpry is ridiculously stacked this year.
No Other Choice needs to win SOMETHING… and I just don’t think I can stomach Marty winning best picture. but otherwise excellent lists